Sunday, 18 September 2016

It's all a matter of Observation

Easily said - easily forgotten

That certainly goes for painting.
As Artists we tend to observe the world slightly differently from others,
but we don't always remember to Look

Looking AROUND US at the every day 
what do we actually miss!

....example was our sun brolly in the garden....

"Was it really LOOKING at ME"!

 Easily missed, but made me THINK.



Friday, 2 September 2016

Applying Masking Tape

The usual recommendation for adding masking tape to paper, is place it on your clothes first...it takes off the excess stickiness and allows you to remove the tape from the paper without tearing it.




Although a problem with that method is, you can often lift the pile from the clothes onto the tape...not so good.

I find it better to run your hands over the masking tape, that takes off the excess stickiness very effectively and the tape still comes off the paper easily.



~ job done ~




Friday, 12 August 2016

Never mix paint with your best brush

If you have special brushes - i.e. kolinsky sables or even mixed synthetics with very good points

see pics...





You really will not want to be ruining those beautiful pointy tips.  I can assure you, if you start mixing paint with them, those tips will be no more!    Always mix your paint with a lesser brush, sometimes I use a very cheap oil bristle brush or similar, for mixing paint.  That way it doesn't matter if the brush gets ruined.






Thursday, 21 July 2016

Showing Light

 When you want to emphasise a Light area, you have to put a contrasting Dark area next to it.   Obviously this works in reverse too.

This sketch shows how that works....








Saturday, 16 July 2016

Let the paint do the work

This example sketch of a tree trunk shows how simple this technique is.  

1.  The ink outline forms the shape  

2.  I wetted the trunk with clear water

3.  Then dropped in random (and I truly mean random) colours on the right hand side of the drawing

Yellow Ochre - Burnt Sienna - *Sap Green - Burnt Umber

*the Sap Green was the only one that I purposely put to the left...don't overdo even though it is tempting!

THEN when the colours are in, I 'carefully persuaded' the paint to drift to the left, but not too much.  It's good to leave some gaps of paper showing.

Leave it to completely dry.  The magic happened all by itself...in fact the painting PAINTED ITSELF.



Go on, give it a try.




Saturday, 2 July 2016

TONAL VALUES

Having trouble finding the Lights in a scene?

Example this photo for instance:


THEN  LITERALLY  SQUINT

AND THE LIGHT AREA WILL JUMP OUT AT YOU.

Happens to be 3 areas in the above photo:

1. the sky
                             2. the reflected light under the bridge
                       3. the strip of grass that runs across the scene
 

plus by Squinting

the DARKS will be very obvious too.


SO REMEMBER TO SQUINT AT A SCENE
IT WILL HELP YOU SO MUCH WITH TONAL VALUES 


~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~


Thursday, 30 June 2016

Working slower

LOOSE painting does not mean QUICK painting.  Some think they need to work a piece of art in a quick way in order for it to become a Loose artwork, but NO ....TAKE YOUR TIME and your art will look all the better for it.